PAULA WHYMAN
curiouswriter

In which we wonder about writing, food, music,  
& random curious events. 

One of my kids took this in Wyoming. We did not see any other elk that day.


I'm a writer living in the Washington, DC, area. My work has appeared recently in the anthology, Writes of Passage: Coming of Age Stories and Memoirs from The Hudson Review, and on NPR's "All Things Considered."

For more about me, see the Bio page.





We like the shoes.






"Mom takes a long time putting on her powders."





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CURIOSITIES: THE BLOG

Richard Peabody's Novel Workshop:
I Can't Believe He Reads the Whole Thing

May 25, 2010

Tags: writing, creative process

Are you looking for a great opportunity to refine your novel manuscript? You're in luck: Richard Peabody, the incisive and insightful writing instructor, DC literary rainmaker, editor of Gargoyle Magazine and more...is about to reprise his novel workshop, and if you act quickly, you can get one of the few coveted slots.

I first met Richard when I was a student in a short story class he was teaching at The Writer's Center--back when the Center was located above a lamp store on Old Georgetown Road in Bethesda (the Center now has its own building on Walsh St.). One hallmark of Peabody's editing style that I noticed at the time was his penchant for cutting the first 3-5 pages of almost every story, and proclaiming "This story starts HERE," at which point he would mark a paragraph on page 8.

And the thing about it was, he was right.

For those of you who have a deep-seated fear that you started your story, or your book, in the wrong place, well, you probably did. Point is, Richard Peabody taught me a lot about writing and creative judgment. And little did I know that years later, he would even put one of my stories in an anthology.

Peabody's novel class is one of the few--perhaps the only one I've heard of--in which each student's entire novel gets read and commented on. If you're not sure which way to go with your book, if you're stuck trying to figure out how to fix it, polish it, shape it, or teach it to ride a unicycle--Richard Peabody can help.

Richard says he teaches this class because he's learned from hands-on experience that a complete reading and critique of your novel is absolutely the best way to go. The class meets every two weeks to allow time to complete critiques, and students get handwritten notes from each other and from Richard. Students recommend cuts, improvements, make suggestions, and mark the manuscripts up at will.

For more detailed information, dates, cost, etc., please contact Richard Peabody directly at gargoyle at gargoylemagazine dot com.

(So, Richard, did I start this post in the right place...?)


Selected Works

Fiction

"DRIVER'S EDUCATION"


Sexual and racial tensions in a classroom threaten to explode as a young teen faces choices that will haunt her in adulthood. ORDER HERE
"THE MIDDLE WAY"

A young girl in Thailand is sold into prostitution by her mother.
“STATUTE OF LIMITATIONS”

A woman is haunted by events from the past that threaten to disturb her domestic life.
"SAND PEOPLE"

A man battles neighbors to build his dream house, while his son resists the pull of the family heritage.
"MINOR OFFENSES"

A bored housewife has a sexual encounter with a utility worker, with disastrous results.
"THE ROSE GARDEN"

A psychologist confuses fantasy and reality as she travels alone for the first time after her divorce.
Humor

"CHECK, PLEASE: WHEN THE MENU IS A MINEFIELD"

Dining out with dietary issues, and Twizzlers. From the Washington Post.

“Potty Talk”

A homeowner finds something Very Special about her toilet. From the Washington Post Magazine.